Monday, March 31, 2014

12,000 miles in an electric vehicle or bust

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Norman Hajjar, research director at Recargo Recargo

Call it a publicity stunt with a higher purpose -- or at least one with more than the usual pursuit of narrow self-interest. There's that, too, but when Norman Hajjar completes his 12,000 mile traverse of the continental United States in about three weeks, he hopes to make a larger point about electric cars and their potential. The journey would set a record as the world's longest-ever car trip powered by 100% electricity and offer further testimoney to the potential of this nascent technology.

But it's not a challenge that most electric vehicle owners of right mind would be ready to take on.

That's because Hajjar is lucky enough to be setting out in a Tesla Model S sedan, a vehicle with an average range of more than 250 miles between charges, or more than triple the distance that lower-end electric vehicles can cover before their batteries hit empty. Hajjar's company, Recargo, makes an app for locating EV charging stations so finding one of Tesla's so-called "supercharger" stations where he can fill up in under 30 minutes shouldn't be a problem either.

As for the rest of us, we can either wait until Tesla prices fall to mass market levels or we can wait until the government or the private sector build out the nation's fast-charging infrastructure.

Hajjar, who directs Recargo's research division, says that the paucity of fast-charging stations effectively keeps drivers of mid-range battery electric vehicles relatively close to home. He said that most people aren't going to contemplate long trips where they'll have to stop in the middle and wait four hours before they finish refueling at slower Level 2 charging stations.

"The point is that these cars today are not achieving their potential," said, adding that a real metropolitan transporation infrastructure is still not in place.

And so Friday afternoon, Hajjar put his vehicle into gear, leaving the Pacific Northwest for a journey that will take him through 27 of the lower 48 states before ending up at Recargo's offices in Venice, California. (You can track his progress via live updates on the interactive website.) The following is an abridged transcript of a conversation I had with Hajjar shortly before starting his trip.

Outside of getting written into the Guiness Book of World Records, what's your ambition here?

I'm a Tesla enthusiast and also an EV enthusiast. But I'm also managing director of a research firm. We have a panel of 9,000 EV drivers and we submit questionnaires and do research with them. In the course of doing this research, I've really come to the profoundly strong point of view that there's a need for fast charger infrastructure to really make the EV category blossom. There's a wealth or glut of level 2 chargers out there, which, from a logistical standpoint doesn't allow you to do what I'm doing on this trip. We need to underscore the need for the development of a fast-charging infrastructure and the incredible utility that would bring to EVs

Which doesn't yet exist really.

People still don't understand that EVs have gotten past the quirky stage, the exotic stage, the experimental level. And by doing trips like this, we can make it obvious that we're on the cusp of a new area of transport.

But you're also driving a unique vehicle that goes about 250 miles on a single charge. What about doing the same trip in a Leaf? Would that be doable?

Not yet. But eventually, journeys of 1,000 miles -- you could do it. The problem with the Leaf is that every 70 or 80 miles, you have to recharge. That's not the end of the world but we'll se see battery capacity increase very shortly ....

Why is it taking so long to reach that point?

The one technology that was always the laggard here was the battery. It was the one that was on the least Moore's Law curve. It was always a real stopper

So how long is it going to take before there's a reasonably broad charging infrastructure and people driving electric cars won't need to sweat it if they decide to take extended driving trips?

The mid-range EV with a 70, 80 or 90-mile range is really a metropolitan area vehicle. Realistically, for 99% of drivers, it's something where they wouldn't want to go more than 300 miles from home. There won't be cross-country (electric) vehicles until the range increases. But their utility will increase if there are more fast-charging stations out there.

So do you plan to pick up any hitchhikers along the way?

We'll do a limited number of `ride alongs' for whoever wants to ride. So people can contact our Chicago headquarters and they can jump in from one station to the next.

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Sunday, March 30, 2014

Brock Davis: An artist who gets the Net (Q&A)

Minneapolis artist Brock Davis
Minneapolis artist Brock DavisBrock Davis
Some folks struggle to keep up with the Internet's unceasing generation of new services -- Flickr, Blogger, Tumblr, Pinterest, Facebook, Imgur, Twitter, Behance, Vimeo, and whatever turns up tomorrow.

Brock Davis is not one of those people.

The Minneapolis artist thrives with the Net as his gallery, with each site's limits actually helping to drive his creativity. A steady stream of posts infused with his clever, humorous, skewed view of the world's ordinary objects have helped show that Instagram can be more than pseudo-artsy snapshots and Vine can have more depth than a six-second selfie.

Davis found his stride as laserbread on Flickr, Yahoo's photo-sharing service, and now has attracted loyal followings on Instagram, Tumblr, and Vine, as he expanded from the Web to mobile apps. So far, 11,500 people have favorited his Instagram portrait of a fearsome bear rendered in beard trimmings, 525,000 people have liked is Vine animation of a couch gobbling a remote control and belching, and tens of thousands have viewed his series of historic explosions rendered in cauliflower -- the Space Shuttle Challenger, Hiroshima, and the Hindenberg.

Expanding from still images, he developed stop-motion animation skills on Twitter's Vine with onion-ring rain, an angry toaster chasing bread slices, a match with a mint-leaf flame, a ringing bananaphone set on vibrate, and a paper towel smokestack. It's not loaded with some artists' heavy commentary on the human condition, but it's engaging and reveals a hidden life of inanimate objects.

Davis shared the story of his online oeuvre in an interview with CNET's Stephen Shankland.

Shankland: Your artistic skills aren't limited to digital publishing, but it seems you have a particular affinity for it, or that it gets your creative juices flowing in some way. Is that true?
Davis: Flickr was my gateway medium back in 2009. I participated in a project called Make Something Cool Every Day in which I created a piece every day for 365 days. The process of having to come up with an idea and execute it daily was challenging and refreshing but it also helped me become reacquainted with how I used to make art when I was a kid.

Cucumber Killer Whale, by Brock Davis
Cucumber Killer Whale, by Brock DavisBrock Davis

Spontaneity is a big part of how I create. While Flickr is great for sharing photos and experiences, it has a bit more breathing room when it comes to sharing and uploading. Instagram, Vine, and other social hubs are a bit more in the moment and immediate. Spontaneity is a key ingredient. I also like that they come with limitations. Having limitations and parameters can make for some great work.

Wait, how does that work? Wouldn't an artist you want more freedom, not less? How does a constraint actually help?
Davis: I like to have a challenge. Vine comes with a specific space to play in. I think the challenge is to create something that changes the shape of that space, pushes it out and makes it something else or at least makes it feel like something different and interesting. It's easy to see limitations and parameters in platforms like Vine as something that constrains creativity, but I think it can help focus creativity. Hopefully this makes for more impactful and original work.

So Flickr was a gateway drug? What got you hooked on Internet publishing? How did you show your artwork before?
Davis: Yes, Flickr was the first social site that I used to share creative work on a consistent basis. It made me realize that I could create a piece, post it, and people would actually engage with the piece much like they would in a gallery but even better in that all of their thoughts and comments are recorded. I had posted a couple of projects up on Flickr before I started my daily project, but it was the daily project that showed the potential of Flickr as a powerful way to share art...A lot of people are still discovering my work through those original Flickr posts. I still get about 1200 visits a day.

You make it look effortless, but you said you shot hundreds of photos for the "Keep It Real" piece. How much work typically goes into one of your creations? I know that's hard to generalize, but I'm looking for some idea for folks for whom an art project is one minute on Instagram.
Davis: It depends on the idea and sometimes on the spontaneity of the idea. Sometimes it does take only a minute if the stars align. There are times when an idea will appear quickly in my head and if I have the material needed to bring it to life, I will do so and it will only take a few minutes from concept to execution. Other times I will have an idea rolling around for months and it's just a matter of planning to see it through to execution. Usually this means I just need to find the time to gather supplies in order to execute.

For example, currently, I know that I need to pick up a couple of frozen pepperoni pizzas at the store in order to create an image I've had in my head for months now. The actual execution of the idea once I have the pizzas will only take about a half hour to create. I often ask my wife to pick up odds and ends for me when she's out. When I'm actually executing, there are a lot of things that factor in to whether or not the piece is working. The background, the lighting, the angle and various subconscious things that are hard to explain. Ultimately I try to create exactly what I see in my head and doing that requires thinking about every little detail. When the images match, it's done.

Rice Krispyhenge by Brock Davis
Rice Krispyhenge by Brock DavisBrock Davis

You've got me intrigued. Can you tell me about the pizza idea?
Davis: Ha -- I haven't made it yet. In my head I think it will look nice. But it may not. Sometimes I make something and quickly realize it isn't working.

How long does it take you to get the feel for a new publishing medium?
Davis: I like to get a good grasp on the purpose and see how people use the medium. When I first downloaded Instagram, I took a couple of shots, but didn't really engage with the app at first. I don't mind photos of cats and pictures of what people are eating, but I wanted to try something different. Creativity is exciting for me because I am always in pursuit of an original thought. These digital mediums are just vehicles to get to those thoughts. I get excited when I can show people something unique.

Do you feel like you've elevated the medium? Do you have any indications you've got others to move beyond cat and food pictures?
Davis: Predictable pictures are important because they help give a unique image its impact -- something to measure against. I think it's important to keep the medium interesting.

How do you decide which sites to use? There are so many, and presumably more to come. When something new like Vine arrives, do you get giddy with excitement or do you get stressed out about having another mouth to feed?
Davis: I get excited about anything that can help me show people how I like to see the world.

Well, then, do you get excited about follower numbers on these social sites? Do you check how many fans you have and get insecure if the number isn't growing fast enough, or get a charge when something goes a bit viral? Or do you just create the art you like and let the chips fall where they may?
Davis: It's nice to know that there are people who are interested in the things I make. When I first started getting more people following my work, it felt like there is was an expectation for me to make something. But I tend to make my best work when I make it for myself first. I think it's important to post work when I'm excited about a piece and have something to share, not because it may be an expectation.

https://www.flickr.com/photos/laserbread/5868078138/
Broccoli House, by Brock DavisBrock Davis

How do you see the Internet changing art? I see examples every day of fascinating new photography, videography, illustration, and more. But although most of it seems to take advantage of the Internet as a distribution medium, it doesn't really seem to be part of the fabric of the service the way your Vine work is, for example.
Davis: There will always be something new out there that artists can use as a creative vehicle. The Internet provides new tools to paint with. Vine is designed to work and be used in a very specific way. Like any tool used to make art. Touch the screen it records, let go and it stops. That in and of itself is different than a typical method used to record a video. Then there is a time constraint of 6 seconds. Everyone gets to use the same tool to make whatever they want to make, everyone adheres to the same constraints. Having worked in advertising for so long, I know that a lot can happen in 6 seconds of time.

There's never been a better era for photography, arguably, with digital SLRs and high-end compact cameras and camera phones. What do you take photos with and why?
Davis: For a lot of my work and for taking photos of my kids I use a Nikon D3. I bought one in 2009 and really didn't know how to use it when I bought it. I suppose I still don't, from a technical standpoint.

But most of the time, I manage to make the picture look the way I think it should look. It's really fast and gives me a better chance at getting the right shot. I use the iPhone exclusively for Instagram and Vine. They keep improving the quality of iPhone images, but I think the current quality is fine. I don't use too many accompanying apps -- I like to keep things simple. VSCO Cam is a good app for people who like a more minimal approach. I also like Snapseed.

There's been a longstanding debate about how well suited iPads and iPhones and other new-era mobile devices are for creating content, as opposed to just consuming it. What's your thinking, especially given mobile-centric apps like Instagram and Vine? How much of your work can you just do with an iPhone?
Davis: A lot of work. Regardless of what medium I'm working in, I always try to root my work in a strong idea and a strong execution. That can carry across any platform. and across any device.

Grape Dog, by Brock Davis
Grape Dog, by Brock DavisBrock Davis

How did you show your art before?
Davis: The family refrigerator and a few galleries.

These free services are great, but can you convert your Internet fame into money? How do you make a living? Are T-shirt sales a suitable replacement for gallery shows?
Davis: Because I've had a long career as an art director and creative director, I haven't thought too much about it. But I have had opportunities come along and I've been able to move into some different creative arenas, like editorial work and apparel design.

Where did you grow up, and do you think where you live shapes your art?
Davis: I was born in Marietta, Ga., in 1972. I grew up in North Georgia, lived in a small town called Talking Rock. Later we moved around a bit due to my father's job. I lived in the Carolinas and Virginia but mostly lived in Georgia. I think where I've lived and the people who surround me have certainly shaped the way I think and create. There are lot of creative people in my family, artists and musicians who have all influenced me along the way.

Digital technology seems an integral part of your artistic expression, but a lot of your pieces don't require it. What do you think of purely digital art -- works that never had existence beyond pixels on somebody's screen?
Davis: For me, I like to get my hands dirty and make art organically. It's the way I've always done things. I like to cut, shape, print, paint, and draw with my hands first and foremost. It's really the only way I can truly connect to what I am making. I think doing work organically truly helps me connect with work that is purely digital. It gives me a greater sense of composition and helps me connect to the meticulous details that are essential for execution. When I finished my 2009 Make Something Cool Every Day project, I exhibited the work at a gallery in northeast Minneapolis. Before the exhibition, the work only existed on Flickr. Just about all of the pieces were created organically and photographed, but everything was uploaded to the Internet. For the exhibition, I printed all 365 pieces as 5x5 cards and arranged the cards to reflect the shape of the calendar months of that year. I then printed 80 of my favorite pieces from the project, each in varying sizes to best reflect the life of each piece. Seeing this work go from a digital existence to real, tangible pieces was polarizing for me. I was just like anyone in the gallery viewing the work for the first time. I realized that this work is real and I was able to understand how much of an undertaking this project really was for me. This was the first time I was able to see how the project is really a visual diary of my year. Each piece marked what I was doing at that time, where I was, what I was thinking.

Who are some artists who inspire you today? There's so much online these days that I find it hard to stop clicking Tumblr links and 500px galleries.
Davis: I like Thomas Heatherwick, Gregory Crewdson, Werner Herzog, and Gonzalo Puch, to name a few. I tend to be inspired by artists and thinkers whose work reflects an original voice and point of view. There are a lot of artists who simply regurgitate what they see and turn inspiration into plagiarism, both intentional and subconscious. As wonderful as the Internet is for inspiring and sharing, it can also perpetuate plagiarism.

What will art on the Internet look like five or ten years from now?
Davis: I think the Internet will continue to unearth new talent in creativity, and the ability to share and perpetuate work will continue to increase.

Halo 3 Forge: Illusion Self Portrait
Halo 3 Forge: Illusion Self PortraitBrock Davis

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Saturday, March 29, 2014

Music multitasking: How background listening enhances life

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Geoffrey Morrison/Memorex

There's an attitude, particularly among those who style themselves dedicated audiophiles, that boils down to judging others for how they listen to music. It says that people who stop all else and do nothing but listen, are somehow more righteous than those who don't. That it's not possible to be a true music fan if you do other stuff all else while listening.

Rubbish. Worse, offensive. Here's why.

The mindset is this: In order to appreciate music, you have to do nothing but listen. That anyone who would deign to do anything else somehow blasphemes the holy temple of the song. Oh, the horror if someone dared to go about their daily lives, with "background music," not listening, not appreciating.

For example:

"When one has music playing in the background, and there's another element in the foreground, the music is not being listened to, it's being heard."
"I believe music deserves to be listened to. It's not right to buy a book, read the summary, and say you loved it. It's not right to watch a trailer and then go on to write a review." --Jesse Marino, "Nobody Listens to Music Anymore," Medium.com

Or from our very own Steve Guttenberg:

"Music is all around us, it's just that very few people actually listen to it. Sure, you have music in your car, iPod, or computer, but is the music just a soundtrack to other activities? If music, a la carte, can't hold your attention from time to time you're definitely not an audiophile. Worse yet, you're missing a lot. "Does anybody really listen to music anymore?"

But who's to say we're not listening. Not appreciating? Not an audiophile?

I am firmly, proudly, in the opposite camp from the sit-and-listeners. I don't understand people who don't listen to music all the time. I listen while I'm working. I listen in the car. I listen while walking to the store or walking in a foreign city. I find music enhances almost everything I do. When you're getting ready for a party, don't you want to crank the perfect song? When you're heartbroken, don't you want that perfect angry (or melancholy) track to ease the pain?

What is music but the soundtrack to our lives? Music has the ability to raise our spirits, soothe our souls, comfort and coddle, excite and enhance the experiences of life.

Perhaps only the sense of smell has a stronger ability to recall an event. How many times, while listening to a song, have you been transported back to the moment you first heard it, or better yet, to a moment where the song fit perfectly with an event in your life?

The thought that somehow I and others appreciate the music less, just because we're also doing something else, is insane. As a recovering musician, I can tell you we're doing a lot more than just listening up on that stage. Listening is a key part, of course, but so is the very act of playing, or reading the music, or remembering what comes next, watching for visual clues from other players, and so on.

Even a soloist, pure in the moment, tapping into that great muse so perfectly -- they're not just listening. They're feeling.

It seems to me that's the common ground. The Feeling. It seems to me what we all want is the emotion of the song. To some, perhaps, they need a dark room, the glow of the tubes, and an envelopment of nothing but music to get the full effect.

Others, though, can get just as strong a reaction while enjoying music at other times. At all times. Music has gripped my emotions far more often while enhancing something from my life than I've ever experienced while stationary in a room.

This is not a judgment, and that's what annoys me the most. In my view, the point of music is to get enjoyment out of it, however you can. To condescend that "some people" don't enjoy music as much as you do because they enjoy it differently from you, not only spectacularly misses the point, but sets up a sad and vicious rift. A rift where one shouldn't exist.

Because music should be something that unites us, not divides us.

(Note: This is the first of a short series of articles by Steve Guttenberg and myself debating the "right" way to listen to music.)

Got a question for Geoff? First, check out all the other articles he's written on topics like why all HDMI cables are the same, LED LCD vs. plasma, active versus passive 3D, and more. Still have a question? Send him an e-mail! He won't tell you what TV to buy, but he might use your letter in a future article. You can also send him a message on Twitter @TechWriterGeoff or Google+.

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Friday, March 28, 2014

BlackBerry sales tumble 64% amid weak BB10 adoption

Lowers-BlackBerryCEO_JohnChen.jpg
BlackBerry CEO John Chen speaking at an event at Mobile World Congress in late February. Brian Bennett/CNET

BlackBerry continues to struggle in getting customers to adopt its newer BlackBerry 10 platform.

The embattled smartphone maker posted a fiscal fourth-quarter loss of $423 million, or 80 cents a share, swinging from a profit of 98 million, or 19 cents a share, from a year ago. On an adjusted basis, or excluding one-time items, it posted a loss of $42 million, or 8 cents a share.

Revenue fell 64 percent to $976 million.

Analysts, on average, forecast a loss of 55 cents a share and revenue of $1.1 billion, according to Thomson Reuters.

The narrower loss has shares of BlackBerry up 6.2 percent to $9.61 in pre-marketing trading.

BlackBerry is in the midst of a transformation it hopes will pull it back from the brink, which includes a new management team and lots of cost cuts. The company is also redoubling its focus on selling phones and services to corporate and government clients, while also looking to protect its base of low-end customers in emerging markets.

Chen previously said he expects the company to be cash flow positive within the next four quarters and profitable by fiscal 2016. On Friday, he reiterated that goal, noting that the company is a quarter ahead in cutting its operational costs.

"I'm pleased the company is back in execution mode," Chen said during a conference call on Friday. He added the company is about a quarter ahead of its plan in lower operating expenses.

All the while, BlackBerry continues to see sales of its smartphones tumble as its market share has deteriorated.

The company sold 3.4 million BlackBerry phones to customers, but only 1.1 million ran on its newer BlackBerry 10 operating system. Its older BlackBerry 7-based devics remain popular in emerging markets. It added it recognized hardware revenue on 1.3 million BlackBerry phones, down from 1.9 million in the fiscal third quarter.

The company is focusing on some of pockets of life remaining in its business, including its BBM messaging service, its QNX embedded software business, and its enterprise server services. Chen reaffirmed BBM's 85 million monthly active users and said a priority would be to grow the user base. BlackBerry unveiled plans for an update to start generating revenue from BBM, initially through stickers and sponsored posts.

In late February, BlackBerry showed a bit of life with a tease of two new products made by Foxconn: the low-end Z3 destined to hit Indonesia first, and the more traditional enterprise-friendly Q20, which CEO John Chen half-seriously coined the "BlackBerry Classic."

Still, it's unclear whether there are enough takers for either phone. Both Android and Windows Phone have made a play with more affordable products, while its high-end market share has eroded to all but the most secure companies and government agencies.

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Thursday, March 27, 2014

Apple aims to keep your iPhone juiced based on your behavior

How often does your smartphone conk out before the day is even done? Apple has proposed a couple of ideas to keep the juice flowing.

Published Thursday by the US Patent and Trademark Office, a patent called "Inferring user intent from battery usage level and charging trends" suggests a way to preserve battery power by determining how and when you use your smartphone.

The technology envisioned would keep track of when you use and don't use your smartphone, when you charge it, and for how long you charge it. The phone could then have the smarts to turn off certain features or decrease the performance in an effort to prevent the battery from draining too quickly.

For example, your phone could figure out that you use its cellular connection during your morning and evening commutes but not during the day when you're at work. It could also determine that you use your phone more on weekdays than on weekends. The phone would also take into account your charging patterns. Are you charging your phone because the battery is low or do you simply keep it plugged in all day when you're at your desk?

As defined in the patent, Apple dubs this notion "long-term power budgeting."

One could imagine the user being happy with a slightly darker screen when in a dark room if it means that more power can be given to the GPU and the performance of the game increased. Long-term power budgeting is concerned with ensuring that the device's power usage over time does not deplete the battery and interrupt the user.

Another patent published on Thursday, "Predicting user intent and future interaction from application activities," has a similar power-preserving goal in mind. But this notion would monitor the apps and other tasks you run on your phone and adjust the power consumption accordingly.

The word "monitoring" sometimes strikes fear into the hearts of smartphone users. We don't like anyone keeping tabs on how and when we use our devices. But I wouldn't mind sharing a few details on my smartphone use if it meant the phone could survive longer on a single charge.

(Via Cult of Mac)

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Wednesday, March 26, 2014

Facebook makes wrong call on anti-Semitic page

Facebook CEO Mark Zuckerberg

Facebook CEO Mark Zuckerberg

(Credit: James Martin/CNET)

For the past several years, Facebook and several other prominent social-media companies have been wrestling with how to respond when their popular platforms are being abused by bigots to spread racist speech and hateful propaganda, including Holocaust denial and anti-Semitism.

Much of the debate has centered on a discussion over the difficult concept of what exactly constitutes hate speech.

As defined by Facebook's own community standards, people have a right to post "ignorant and untrue material about people and events" on their personal pages. But any content that directly attacks people based on their race, ethnicity, national origin, religion or a host of other immutable characteristics constitutes a violation of those standards and is impermissible on the Facebook platform.

In applying these standards, Facebook has chosen not to remove Holocaust denial pages that do not also contain direct attacks. We have responded by telling them that as a virulent form of anti-Semitism and an indirect attack on Jews, Holocaust denial pages are unacceptable.

We feel the same way about a page on Facebook called "Jewish Ritual Murder." The page features articles and other material reviving the old libelous charge against Jews that they murder Christian children to use their blood for ritual purposes. To us, the individual who created the "Jewish Ritual Murder" is promoting anti-Semitism. But Facebook has indicated that this page, too, does not violate its community standards.

We recognize that the Internet and social media are so successful because they provide the ultimate platforms for the global exchange of ideas. At the same time, they should not be platforms for hate.

This is particularly the case when corporations like Facebook, as moderators of virtual communities where young people frequently "congregate," already have rules in place to guard against bias-motivated attacks and cyberbullying. Regardless of how narrowly they are going to define hate speech, they need to have policies that allow them to exercise discretion in egregious cases such as this.

The "blood libel" refers to a centuries-old false allegation that Jews murder Christians (especially Christian children) to use their blood for religious ritual purposes such as an ingredient in the baking of Passover matzah (unleavened bread). This myth -- also sometimes called the "ritual murder charge" -- dates back to the Middle Ages, It has persisted despite Jewish denials and official repudiations by the Catholic Church and many secular authorities.

The blood libel also has modern-day currency in the Arab world, where some television programs have used it as a plot line and editorial cartoonists have evoked it in their efforts to foment hatred of the Jewish people.

In truth, and it should be obvious, accusing Jews of ritual murder is a far greater attack on Jews than calling them kikes or other names. It has led to mob violence and pogroms, and has on occasion even led to the decimation of entire Jewish communities. And the libel is alive and well in today's world.

We do not believe that Facebook intends to send a message that it is insensitive to the enormous harm the blood libel has caused throughout Jewish history. The easiest way for the company to make that clear would be to exercise the discretion it certainly has to remove the page.

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Tuesday, March 25, 2014

Bitcoin nabob: Yes, thereĆ¢€™s life after Mt. Gox (Q&A)

fred.jpg
Coinbase co-founder Fred Ehrsam Coinbase

Bitcoin's been very much in the news of late for all the wrong reasons.

In February the Bitcoin exchange Mt. Gox declared bankruptcy after some $400 million in bitcoins got stolen. Bitcoin bank Flexcoin shut down earlier this month after robbers made off with $600,000 in stolen bitcoins, while a smaller exchange called Poloniex lost more than 12 percent of its assets after a hack. Adding to the general uncertainty, another exchange, Blockchain, suffered an hours-long outage.

But for Coinbase co-founder Fred Ehrsam, this is part of an all-too familiar narrative, one in which a new disruptive technology arrives on the scene -- Internet, anybody? -- attracting any number of entrepreneurs, some who fail, others who succeed. If he's right and Coinbase passes through a temporary squall, the company, which Ersham co-founded in 2012 with Brian Armstrong, would seem to be in a strong position.

Some big-name tech financiers apparently agree. Late last year, Andreessen Horowitz led a $25 million Series B investment in Coinbase, the biggest chunk of change ponied up by a venture capital company in a Bitcoin-related startup. (Bitcoin's earlier backers included Union Square Ventures and Ribbit Capital.) Coinbase, which provides users with a digital wallet, now has about 27,000 businesses that accept Bitcoin for customer payment. If you do the exponential math, they will reach 270,000 in about a year and a half.

I feel we're at a point now where the vast majority of what I would term "Generation 1" Bitcoin companies have been rooted out in one way or another. Mt. Gox was really the last one of those to fall.

Of course, that's assuming that there are no more Mt. Gox-like landmines about to explode and derail a nascent industry before it can establish itself.

For Ehrsam, a self-described nerd and former Goldman Sachs foreign exchange trader -- traits that perfectly fit someone trying to win over the skeptics -- the obsession with bitcoins started long before he headed west to Silicon Valley.

"I would go to the bathroom and trade bitcoin on my smartphone and then return to my real desk to do my real job trading real currency," he said.

At the time, he said the landscape was wide open. "There was nobody in the space who was doing something that was consumer-friendly or who wasn't an amateur," he said. "The key to making it work was to find a way to make consumer feel secure and provided with a good experience, but it would by necessity also require us to interact with the real financial world, whether that was regulators or banks."

But let's be clear: this remains the present-at-the-creation stage. Ehrsam and Armstrong still haven't swayed mainstream opinion. Warren Buffett recently labeled Bitcoin "a mirage" and dismissed the idea that it has "some huge intrinsic value" as a "joke." Ehrsam and sundry other notables from the Bitcoin ecosystem will have an opportunity to explain why the legendary investor and other skeptics have it wrong when a three-day conference about all things Bitcoin gets under way Tuesday in San Francisco.

I spoke with Ehrsam recently at the company's temporary headquarters, a cramped two-story loft apartment with a don't-you-wish-you-could-see view of downtown. The day I visited there also was Thai takeout for the asking and a fridge full of beer -- after all, we're talking startups. The following is an edited transcript of the conversation.

Has the press helped or hindered the public's understanding of Bitcoin?

Ehrsam: Honestly, it's a double-edged sword. All of it might be helpful because it's constantly in the news, it's constantly in people's minds and it's not dying. So people know now that this is real, it's not going away and hey, maybe they should know about it. The problem is that stories largely focus around sensationalist things that as a percentage of what's going on are actually very small and not very important ... what's important is the technology.

What does the next era look like for Bitcoin exchanges, post- Mt. Gox?

Ehrsam: We're fortunate that the Internet came before us. Because it's not the first time that lawmakers and regulators have seen a brand-new, very powerful network emerge that kind of breaks existing boxes. We've had an example play out in the past with the Internet. It can be a little scary at first ... all of a sudden there's this free information dissemination and what about X,Y, Z potential negative consequences? But the reality is it's the same thing but applied to what is payments -- and it could be other things going forward.

So there's life after Mt. Gox?

Ehrsam: There is very much life after Mt. Gox. It's a funny thing. As a company operating in the industry, I can say that very little has changed. Almost nothing's changed but the outside perception is that it's huge.

Coinbase recently passed more than 1 million consumer Bitcoin wallets -- up from 13,000 at the start of 2013. Is that growth sustainable?

Ehrsam: Bitcoin has this pattern where there'll be booms and what one might consider a bust. But the reality is that you reach a plateau that's higher than the one it was before it all started. And this has repeated itself three or four times and on and on and on -- so you're constantly reaching higher plateaus. In the first plateau we were signing 60 people a day. In the second plateau we were signing 400 a day. The next one was 2,000 and now we're at 5,000 a day, or whatever it might be.

So far, it's been a battle between competing headlines. In terms of bringing Bitcoin into the mainstream, you have to deal with reports about big thefts or calls by people in Congress for bans and such. How do bust through all that?

Ehrsam: The first is that you knock down more retailers where people point to that and say, "Hey I know that business. They're credible to me. They're accepting Bitcoin and I can spend it there." You close the loop as much as you can with well-known names. The biggest one for us recently was Overstock. They did a million bucks in sales, roughly the first month and most common item was sheets. Their average demographic was middle-aged women and it doesn't get more mainstream than that. And that was a good proof-of-concept for us.

Bitcoins
Bitcoin

But you also need to deal with the fallout of negative PR impacting a young industry.

Ehrsam: I think, frankly speaking, you're right that it's a nascent industry with players at various stages. Things like Gox can cause trust issues and bit of a negative PR storm. I feel we're at a point now where the vast majority of what I would term "Generation 1" Bitcoin companies have been rooted out in one way or another. Mt. Gox was really the last one of those to fall.

Part of a changing of the guard?

Ehrsam: While it created a bit of a short-term fiasco, I think the industry is better off now without that being some piece of the infrastructure. I think those sort of incidents will become less and less frequent as players with more credible management teams and more credible backers operating under some remote set of regulatory framework -- those sort of things -- become more common.

[US Senator] Joe Manchin has called for a ban. If he gets his way, what happens then?

Ehrsam: I think that one, honestly, was an outlier. At the federal level, FinCen (the Financial Crimes Enforcement Network) laid out pretty clear guidance. It said if you are doing business in bitcoin, then you have to abide by the same standards you would be if you were operating in dollars. That's mostly focused around money laundering. You have to have a compliance officer. You have to have employee training...

Can you understand why this makes people like Warren Buffet uneasy? What doesn't he get about all this?

Ehrsam: This is a common problem with Bitcoin where people think financial first, and not technology first. And that's very backwards. The reason I'm convinced and other people around the Valley and elsewhere are convinced [about Bitcoin] is they see the fundamental technological properties and they look at what this does -- it cuts out the middleman and thus it's more efficient because of the way the network is set up and its properties.

I think where people kind of misstep is that they go, "Oh, is this a viable global currency and what about deflation?" To me, that's the second level. You need to convince yourself first that this network is valuable because it cuts out middlemen and can do things in a more efficient manner. I think he's approaching it the wrong way around.

How does Bitcoin win over Main Street?

I like to think about it in pure economic terms. Think about the use cases. When you think about how PayPal emerged, they emerged because their solution was significantly better than the next best alternative. Now roll that forward to Bitcoin, and the question is, in Bitcoin, what about it makes it significantly better than the next best alternative such that people will really use it? I think it will start creeping in at the edges in two big ways: the first is just any kind of overseas payment.

Right now, the economic cost to an overseas payment is just very, very high. For a number of reasons -- foreign exchange fees, false declines because of fraud risk because it happens to be international and then from there it gets payment-level specific. But if you're doing credit cards, there's interchange, often times higher internationally, or if you're using a Western Union or Moneygram, they'll probably charge you 10 percent. You can do the equivalent with Bitcoin and it'll be 2 percent .

The underlying transaction technology is something that still has a lot of value. Could it morph into another use?

It will evolve into other uses, irrespective whether the payments part ends up being the hugest part or not. I obviously believe it will be.

I read somewhere that you test the service on family members for usability.

We test it on Brian's mom, occasionally.

How's that going?

Pretty good. It's funny the things that she reacts to. Like small things in wording, where like we wouldn't even read it but she's, "This doesn't make sense to me." One of big ones on that was when we implemented "Send to an email address" it would list your public addresses just for easy copy-paste if you wanted to give it to somebody on the Internet on the main screen, and she said, "What is that? It looks like one long password." Within a week we put that another layer deep and people barely need to use it now.

Will we ever know the identity of the creator or creators behind Bitcoin?

Maybe it's better left without knowing.

You're not him, are you?

(laughing) No!

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Monday, March 24, 2014

NSA's reported Huawei hack gives glimpse of agency's role in 'cyber Cold War'

A new report based on the trove of secret NSA documents leaked by Edward Snowden gives a glimpse of the agency's role in the cyber-intrigues taking place between the US and China, with files showing that the NSA hacked into Chinese router-maker Huawei's servers with the hope of gaining info on government plans and of exploiting the company's products to spy on other foreign rivals.

The New York Times reports that the NSA "pried its way into the servers in Huawei's sealed headquarters in Shenzhen, China's industrial heart" and "obtained information about the workings of the giant routers and complex digital switches that Huawei boasts connect a third of the world's population, and monitored communications of the company's top executives."

The goals of this "Shotgiant" operation, the paper says, included unearthing any ties between Huawei and the People's Liberation Army, and also gaining information on how to exploit Huawei's products in order to spy on foreign customers such as Iran, Afghanistan, Pakistan, Kenya, and Cuba.

The news is ironic, according to a senior Huawei executive in the US who spoke with the Times.

"The irony is that exactly what they are doing to us is what they have always charged that the Chinese are doing through us," Huawei exec William Plummer told the paper.

Some American officials think Huawei is a front for the People's Liberation Army, and in 2012, the US House Intelligence Committee released a report accusing Chinese telecommunications gear makers of being threats to US security and discouraging US companies from buying their equipment. (The Times ran a story yesterday about how US companies are currently seeing their bottom lines affected in some countries over suspicions about ties to the NSA.)

Huawei, for its part, says it's the victim, in the US, of economically motivated protectionism. But the US counters that it's the Chinese who hack into systems for their companies' economic gain and that US intelligence efforts are focused solely on protecting national security. "We do not give intelligence we collect to US companies to enhance their international competitiveness or increase their bottom line. Many countries cannot say the same," a White House spokeswoman told the Times.

The Times reports that the Snowden documents it reviewed do not reveal whether Huawei has links to the PLA.

In their book "The New Digital Age," published last year (before the Snowden leaks), Google's Eric Schmidt and co-author Jared Cohen called China "the most sophisticated and prolific" hacker of foreign companies, adding that "the disparity between American and Chinese firms and their tactics will put both the government and the companies of the United States at a distinct disadvantage," because "the United States will not take the same path of digital corporate espionage, as its laws are much stricter (and better enforced) and because illicit competition violates the American sense of fair play."

The Times article goes on to discuss the growth of hacking by China, citing anonymous current and former intelligence officials, and saying, among other things, that:

"For some of its most audacious attacks, China relies on hackers at state-funded universities and privately owned Chinese technology companies, apparently as much for their skills as for the plausible deniability it offers the state if it gets caught. The NSA is tracking more than half a dozen such groups suspected of operating at the behest of the Chinese Ministry of State Security, China's civilian spy agency."

After reports last year that China was behind hacks of the Times, The Wall Street Journal, and The Washington Post, China's Defense Ministry told the Post: "The Chinese military has never supported any hack attacks. Cyberattacks have transnational and anonymous characteristics. It is unprofessional and groundless to accuse the Chinese military of launching cyberattacks without any conclusive evidence."

You can read the Times story about "Shotgiant" and the NSA's hacking of Huawei here.

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Sunday, March 23, 2014

Mom tries to Facebook-shame daughter, gets pizza on face

I do love parenting videos.

(Credit: DdiPankara/YouTube; screenshot by Chris Matyszczyk/CNET)

Some parents believe in an eye for an eye, a tooth for a tooth, and a Facebook post for a Facebook post.

Children, they think, sometimes need to learn lessons the hard way. Because the power of the hard way hasn't yet been disrupted by the clever young people in Silicon Valley.

In order to teach her 12-year-old that she was too young to have Facebook and Instagram accounts, Kira Hudson from Colorado made her pose with a sign that read: "Mom is trying to show me how many people can see a picture once it's on the internet."

The picture was accompanied by these words from mom: "My 12-year-old daughter doesn't understand why she can't have an Instagram or Facebook account...Please 'like and Share'...She just doesn't get it!"

Oh, and just to prove how much she doesn't get it, as The Huffington Post reports, mom posted it on the Internet's loudest bulletin board: Facebook.

This isn't the first time that a parent has tried to use social media to shame a child.

An Ohio mom, Denise Abbott, posted a Facebook picture of her daughter with a red cross over her mouth.

And who could forget Tommy Jordan, the man who made a YouTube video of himself shooting his daughter's laptop dead?

Just as that video prompted a visit from child protection services, Hudson's Facebook posting had interesting consequences too.

The picture traveled far and wide, including to Facebook pages such as Southern Mama, which enjoys the description: "A page for mama's and daddy to talk about what we talk about kids, men and women, pride, god, music whatever. DRAMA FREE!!! KEEP IT AT THE DOOR."

Drama free, indeed.

Then, as The Daily Dot reports, members of the /b/ imageboard at 4Chan used their wits in an attempt to discover Hudson's Facebook page, address, phone number.

Soon, different -- and some less pleasant -- versions of the photo began to circulate. Then pizzas were delivered to Hudson's address. Or at least what the 4Chan members thought was her address.

The photo has now been removed from Hudson's Facebook page, but not before it enjoyed almost 1 million Likes. However, she admitted to The Huffington Post that this had not all gone quite to plan.

She said that she was glad that her attempt at humiliating her daughter had helped other parents teach their children about the Web.

She admitted, though: "It certainly opened my eyes to the fact that I thought my own private Facebook was secure. It was not as secure as I thought. Luckily for us, the information that was gathered by others was not my current residence or phone number."

More Technically Incorrect

Clearly, she hadn't received the memo about people wanting to share more all the time and Facebook, um, facilitating that sharing.

She also apologized to the family who now lives at the address that 4Chan obtained, and she promised to send them a pizza.

Through it all, though, one 4Chan poster might also have offered a useful tip. He or she posted the picture, with this caption: "Maybe you shouldn't use your daughter as an experiment to prove your point...Just an idea."

Mom's intention had been to spread her daughter's picture and humiliation as far and wide as possible. She had even encouraged anyone who saw it to "click on the picture, and then hit 'Share' and change the setting to 'public.'"

This way, she thought she'd get a clear reading on how many people would witness the shaming.

It didn't quite work out that way. Shame, that.

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Saturday, March 22, 2014

Seagate Backup Plus Slim (1TB, Red)

The Seagate Backup Plus Slim is the thinnest portable drive on the market that gives you up to 2TB of storage space.

While it might not hold that title for long, at the current street price of just around $120 for 2TB (or about $70 and $50 for 1TB and 500GB, respectively), it sure is affordable. And in my testing, the new drive proved to be one of the fastest of its type, if not the fastest. On top of that, it includes helpful backup software for your computer, social-media content, and even mobile devices.

On the downside, the drive lacks security features and has only a two-year warranty, which is shorter than you get for many other drives on the market, including those from Seagate. If you can live with that, the new Slim makes an excellent choice. Check out our list of best portable drives for other options.

Like most portable drives, the Backup Plus Slim comes with a standard USB cable.

Like most portable drives, the Backup Plus Slim comes with a standard USB cable.

(Credit: Dong Ngo/CNET)

Design
At just 0.4 inch thick, the Seagate Backup Plus Slim is about the same size as other recent portable drives on the market, such as the 1TB WD My Passport Slim. However, it's the first thin-profile portable drive with up to 2TB of storage space. (The 2TB My Passport Slim is 0.7 inch thick, so, about 75 percent thicker.)

Like most portable drives, the new Slim is bus-powered. This means it needs only one Micro-USB 3.0 port and comes with a standard USB cable included. This cable will take care of both data and power connections when the drive is connected to a computer's USB port. In my testing, the 2TB version of the Slim worked well with all USB 3.0 and USB 2.0 ports I tried it with.

The drive has an aluminum casing that makes it feels very solid, though still quite light. It's available in black, blue, silver, and red.

Drive type 2.5-inch external USB hard drive
Connector options USB 3.0, USB 2.0-compatible
Dimensions 4.5 inches x 3 inches x 0.4 inch
Weight 5.6 ounces
Available capacities 2TB, 1TB, 500GB
Review capacity 2TB
Warranty 2-year
OSes supported Microsoft Windows (XP or later), Mac OS 10.4.6 or later
Software included Seagate Dashboard (Mac and Windows)

Features
Out of the box, the drive is formatted in the NTFS file system and works right away with a Windows computer. However, you can download and install an NTFS driver for Mac to make it work with Macs without reformatting. If you want to reformat it into HFS+ to work natively with Macs, you can use an HFS+ driver for Windows to make your Windows computers read and write to the Mac file system.

The new Slim is very skinny for a device that offers 2TB of storage space.

The new Slim is very skinny for a device that offers 2TB of storage space.

(Credit: Dong Ngo/CNET)

Like the Backup Plus Fast, the Backup Plus Slim comes preloaded with new version of the Seagate Dashboard backup software. There are three main backup functions: PC Backup, Mobile Backup, and Social. The PC Backup part is basically the local backup; here you can either customize real-time local backups or let the software, by default, pick what should be backed up for you. After that, the drive will back up continuously when changes have been made to data. In my trials, this function worked very well. Note that this part is available only for Windows. The Mac version of the software has only the other two functions.

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Friday, March 21, 2014

Get a Fluance Fi30 Bluetooth speaker for $99.96

The Fluance Fi30 is a shiny, stylish Bluetooth speaker available in white or black.

The Fluance Fi30 is a shiny, stylish Bluetooth speaker available in white or black.

(Credit: Fluance)

First up, thanks for the incredible response to yesterday's post about Microsoft Office. Lots of good discussion, lots of very fair points on all sides. (Note that CNET's commenting system is down for the moment, so you can't add your two cents just now. Same goes for this post. Sorry about that! Hopefully it'll be sorted out soon.)

Second up, most of the Bluetooth speakers you see nowadays are of the compact, portable variety. Those can be great if you want something that can go where you go, even if it's just to different rooms of the house. But there's also much to be said for a bigger, louder speaker that takes up permanent residence in a living room, bedroom, den, or the like.

The folks at Fluance just introduced a new model with that kind of positioning in mind, and for a limited time, you can score one on the cheap. It's the Fluance Fi30 Bluetooth speaker for $99.96 shipped when you apply coupon code FI30CNET at checkout. Available in your choice of black or white, it normally sells for $149.99.

If it looks at all familiar, that's because the Fi30 is a slightly smaller version of the Fluance FiSDK500 speaker dock I've featured here before. It's constructed of the same medium-density fiberboard (MDF), which promises a warmer sound and more accurate response than a typical plastic enclosure. I can say from experience that the FiSDK500, a longtime resident in my kitchen, sounded terrific.

With the Fi30, though, there's no dock, nor even a set of volume or transport controls. The speaker was designed expressly to pair with your smartphone or tablet, though it does have a 3.5mm input in case you want to connect a non-Bluetooth player (like an older iPod). There's also a 2.1-amp USB port for charging your mobile device, a handy extra.

My favorite feature by far: The Fi30 remembers up to eight paired devices. That means if Mrs. Cheapskate wants to listen to music from her iPhone or Cheapskate Jr. wants to listen from his iPod Touch, no problem -- I don't have to un-pair my Android phone first, then re-pair it again later.

I haven't had any ears-on time with the Fi30, but David Carnoy reviewed the speaker just a week ago. Verdict: "The best sound for your Bluetooth buck." And that was based on a $149.99 price tag.

For $99.96 out the door, this is a great option for anyone seeking high-quality sound from a speaker that can sit on a bookshelf and look really good doing it. The coupon code is good through March 27.

Bonus deal: Happy birthday, Amazon Appstore! To celebrate, you can get a big pile of apps absolutely free. Grab Polaris Office (normally $12.99), Runtastic Pro (normally $4.99), mSecure Password Manager ($9.99), and a bunch of games, each for the enticing price of $0.

Bonus deal No. 2: Need a good read for the weekend? One of my all-time favorite books is on sale, today only, for Kindle: "City of Thieves" by David Benioff. Why does that name ring a bell? Oh, he's just the co-creator of a little TV show called "Game of Thrones." This novel came first, and it's a steal at $2.99. While you're at it, why not grab the Humble eBook Bundle 3, which lets you name your own price for an eclectic mix -- with bonuses for beating the average (currently $10.76).

Deals found on The Cheapskate are subject to availability, expiration, and other terms determined by sellers.

Want to know more about The Cheapskate blog and how it works? Read our FAQ.

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Thursday, March 20, 2014

How a selfie with a rapper can improve your Facebook status

The man who helps you get women.

(Credit: DJVlad/YouTube; screenshot by Chris Matyszczyk/CNET)

On occasion, I'm forced to disappear to the Wine Country in order to commune with nature.

If I feel that the last vestige of niceness is disappearing from me, a few hours spent in the company of the people of Napa and their grape products creates a reawakening, as well as a need for a hotel.

Late on Friday afternoon, I was sipping some very fine Honig cabernet when a young man engaged me in conversation.

He was 24 years old, he had a flip phone, and he was in crisis.

"I've got to leave in a minute to go to a liquor store in Fairfield," he said. This is not the sort of sentence you always hear in Napa. But this man seemed excited. Or was it perturbed?

Fairfield, should you not know it, is a city that is home to the Jelly Belly and the Travis Air Force base. Yes, it's a place where you can get your candy and have your ear drums crushed by a transport plane, all on the same day.

Why did Archie (let's call him) need to go to Dave's Liquor in Fairfield? He needed to meet E-40.

Wait, you don't know E-40? He's a very important rapper and entrepreneur, who happens to have his own wine label (Earl Stevens Selections is the brand).

Some of E-40's greatest hits include "Tell Me When To Go" and "My S*** Bang." He was going to be at Dave's Liquor in order to present his wine.

Wine tends to induce naivete in me, so I assumed that Archie, a wine aficionado, needed to meet E-40 because he loved his wine.

All the same, I asked him, just in case I'd missed a nuance: "Why do you need to meet E-40 so badly, Archie?"

"Facebook," he replied.

"Facebook?"

"Yes. I need a new profile picture."

So you're not interested in the wine? Instead, the idea is to take a picture with E-40 and make it your profile picture? Why do you need to do that?"

He looked at me as if I'd just stepped off a large circular transport plane and had candy-colored antennae poking through my remaining three hairs.

"Girls," he explained irritatedly.

"Girls?"

"Look, when girls look at my profile picture, they'll think I'm a lot cooler because I hang out with rappers."

"But you don't hang out with rappers, Archie. You ambush them in liquor stores, demand a picture, and don't even tell them that you're using them to pick up girls. That's not hanging out with them. That's faking it."

"As if the whole world isn't about faking it," he mused with slightly sad eyes. "You don't understand how important this is. You're either somebody or you're nobody. Especially on Facebook. If girls see that you're just another guy, they breeze on by. But if they see you've done something cool with someone cool, they'll message you. I have to have girls. Girls have to want to have me."

"Wait, but Facebook is the place to get girls? I thought it was the place to tell your granny you've got a girl."

"It is, partly. But I haven't got a girl, so I have nothing to tell my granny. And you can still meet girls on Facebook. You just have to look cool."

More Technically Incorrect

At this, Archie began to get up, seeming stressed that he had to go through this procedure to proceed with his love life. His cheeks had reddened and he'd not been drinking.

"Wait," I said. "But you've only got a flip phone. How are you going to get a selfie with E-40?"

"I'm meeting my friend over at the liquor store. He's got an iPhone," Archie replied.

Archie rushed away, to do what needed to be done. He needed to get his free celebrity endorsement.

Perhaps it's no surprise that he felt the need to advertise himself this way. People laugh about Facebook adorning its pages with advertising, when everyone uses their own Facebook pages to advertise how interesting their lives are.

This is me. I am exciting. Love me. Want me. Be fascinated by me. Be jealous of me. But, most of all, love me.

Somehow, though, it was sad that Archie had to drive 40 minutes in order to get the job done. Because a job is what it clearly appeared to be.

This morning, I drifted to E-40's Facebook page to see if he had really been at Dave's Liquor. It was true. There, for all to see, was a picture of hordes waiting to taste the great man's wine.

I couldn't see Archie in the picture, which doesn't mean he didn't get his man, in order to get his woman.

I wonder, though, how many people were really there just to enhance their Facebook status.

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Wednesday, March 19, 2014

ZTE Sonata 4G (Aio Wireless)

For just $80 off-contract, you might be able to look past the ZTE Sonata 4G's chunky design, so-so screen quality, and underwhelming camera. Overall, the unassuming Android phone -- sold on AT&T's prepaid Aio Wireless network -- gives you decent value when you consider its strong 4G network speeds and reliable call performance.

Still, a little more money can pocket you a better phone, like Aio's Motorola Moto G for $149.99. And, if you can't budge from the $80 mark, but can change carriers, we'd still take MetroPCS' LG Optimus F6 with LTE any day.

Design
Though compact in size (4.9 inches tall and 2.56 inches wide), the Sonata 4G sports an unflattering and thick 0.45-inch profile that renders it a snug fit in jean pockets. In addition, though the smooth white battery door looks chic, it makes the device quite slippery in the hand.

The left edge houses a volume rocker and a microSD card slot for up to 32GB of expandable memory. Up top you'll find a 3.5mm headphone jack and a sleep/power button. Finally, the Micro-USB port for charging is located on the bottom edge.

ZTE Sonata 4G (profile)

The handset has a hefty profile at 0.45 inch thick.

(Credit: Josh Miller/CNET)

On the back is a 5-megapixel camera with flash and there's a small slit for the audio speaker to the left. You can take off the battery door using a small opening at the bottom, and access the removable 1,785mAh battery and SIM card slot.

As for the 4-inch display, it has a 480x800-pixel resolution. This isn't very high at all, indeed, the menu icons look can look grainy, and you can see notable color-banding with the default wallpapers. Furthermore, the touch screen has a narrow viewing angle. Tilt it slightly to the left or right and the display will wash away. And while its brightness is fine indoors, the screen is difficult to look at in direct sunlight. Below the display are three hot keys that light up white when in use for back, home, and menu.

Software features
The phone runs Android 4.1.2 Jelly Bean and as such contains several Google apps: Chrome, Gmail, Plus, Hangouts, Maps, YouTube, and access to the Play Store's Books, Games, Movies & TV, Music, and Newsstand portals.

Other apps include Facebook and Twitter, an alarm clock, native browser and e-mail clients, a calculator, a calendar, a news and weather app, a notepad, a sound recorder, a timer, and a voice dialer.

Users will also get TouchPal X, an optional keyboard and text inserting function you can activate, and the mobile office suite, Kingsoft Office. Finally, additional features include 4GB of internal memory, Bluetooth 3.0, and 1GB of RAM.

ZTE Sonata 4G (Android)

The device runs Android 4.1.2 Jelly Bean and includes your usual gamut of Google apps.

(Credit: Josh Miller/CNET)

Camera and video
The 5-megapixel camera's photo quality was middling, and showed a notable amount of blurriness. Objects in photos lacked focus and edges were ill-defined. You can also see some digital noise, especially in dimly lit areas, and graininess. Colors also came off a bit muted and washed-out. For more on the camera quality, check out some test shots below, and be sure to click on the pictures for their full resolutions.

Features include touch and autofocus, a 4x digital zoom, flash, five white-balance options, five ISO levels (from 100 to 1600), geotagging, compositional grid lines, and three photo qualities. It can shoot in five photo sizes (from 640x480 to 2,592x1,944 pixels) and has three photo filters, three antibanding options, rapid capture and panorama shooting modes, a timer, and separate meters to adjust for exposure, brightness, contrast, saturation, and sharpness.

ZTE Sonata 4G (outdoor)

In this well-lit outdoor photo, the buildings in the background and grass in the foreground look fuzzy.

(Credit: Lynn La/CNET)
ZTE Sonata 4G (indoor)

You can see a notable amount of digital noise in the dark areas and the walls in this indoor picture.

(Credit: Lynn La/CNET)
ZTE Sonata 4G (indoor 2)

Despite plenty of light, the leaves in this plant lack focus.

(Credit: Lynn La/CNET)
ZTE Sonata 4G (SI)

In our standard studio shot, the harsh flash washes out the center of the photo.

(Credit: Josh Miller/CNET)

For video options you get zoom, four video qualities (from MMS to 720p), the same five white-balance options, and geotagging. You can also take a photo while recording video and record a time-lapse movie.

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Sunday, March 16, 2014

Glassholes: at least you know who they are

Google Glass Explorer Edition

Google Glass Explorer Edition

(Credit: Jason Cipriani/CNET)

Google Glass has provoked a lot of angst among those worried about the electronic eyewear is rude, weird, or creepy -- and for good reason.

Among the concerns Glass raises are that the wearer could be recording video, audio, or photos of other people or that the wearer could be looking up online information about those people. For a good illustration of the social difficulties of Google Glass, check Becky Worley's report from SXSW on Google Glass at Yahoo Tech, in which wearers report problems at a supermarket, customs, a business meeting, and a trip to the bathroom at a zoo. The headline of the piece: "Google Glass Will Never Be Okay."

Plenty of others have similar sentiments. Gartner's Ian Glazer is worried that Google Glass makes relationships uncomfortaly asymmetric, with a power imbalance between those who are and are not wearing Google Glass.

The Google Glass creepy factor is embodied in Neal Stephenson's sci-fi book "Snow Crash" in the character of Lagos, a "gargoyle" who's encrusted with electronic sensory equipment and a live link to the databases of the world:

Gargoyles...are adrift in a laser-drawn world, scanning retinas in all directions, doing background checks on everyone within a thousand yards, seeing everything in visual light, infrared, millimeter-wave radar, and ultrasound all at once. You think they're talking to you, but they're actually poring over the credit record of some stranger on the other side of the room, or identifying the make and model of airplanes flying overhead.

Google Glass will rightly raise lots of hackles when used in public, and I think that's appropriate. Although Google Glass devices are perched just over the line of sight, Glass still comes between two people having a conversation. And because one of the major points of Glass is to be able to record an intimately first-person view of the world, Glass can be intrusive: people often behave differently on a stage or on camera.

Thus, I'm not suggesting we brush off concerns about Glass as just baseless techno-fretting. It's worth discussing society-altering inventions like power looms, birth control pills, automobiles, and televisions.

But often, the discussions about Google Glass are too narrow in scope. Before declaring Google Glass doomed to failure, we need to look at what has come before them and at what's going to come after.

Paving the way to Google Glass
The most obvious precursor to Google Glass is the smartphone. It's a general-purpose electronic companion that can be carried with you at all time, augmenting what you happen to remember with a live connection to vast amounts of personal and public information. It pages us with important messages and lets us record the moment with photos and videos.

To many of us, smartphones are useful and ordinary. But social norms are still catching up to technology. It's just fine to take a mobile phon call when you're driving with your spouse to do weekend shopping errands. It's rude to do so when you're on a first date. But in many circumstances, it's a gray area, and what's considered OK is changing. Taking a call from your child's school in the middle of a business meeting is probably OK, because it might be an emergency. But taking a call from your friend in the middle of a business meeting might be a bad idea. On some trains, there are cars where it's OK to talk on mobile phones and some where it's barred.

We're also adapting to mobile phone photos and video. Is it OK to record a rock concert? Maybe, but some musicians politely ask you not to. At my son's piano recital last month, a succession of parents moved to the front of the central aisle to record their children's' performances and blocking the view for a lot of the rest of the audience. Nobody objected, but such behavior would be unthinkable if the performer had been a world-class violin virtuoso rather than a bunch of primary-school kids.

The Lost Lake Cafe and Diner in Seattle bans people from wearing Google Glass.

The Lost Lake Cafe and Diner in Seattle bans people from wearing Google Glass.

(Credit: Lost Lake Cafe/ Facebook)

The more we use mobile phones, and the more they can do, the more we as a society will evolve these social protocols, either through convention, posted rules, or legislation. Google Glass looks shocking today, but don't discount out the possibility that we'll work out rules for when they're OK to wear and when they're not, gestures that warn people we're using them or reassure them that we're not, or conventions for asking politely if it's OK to record a particular moment.

We're already working some of the protocols out with mobile phones and other devices. I went skiing a couple weeks ago, and lots of teenagers and some adults had GoPro helmets stuck to their helmets, making parts of their lives mini-performances and making all the rest of us part of the supporting cast whether we wanted to be or not.

All these rules are evolving, but here's the underlying point: We've already accepted technology into our lives that comes with much of the rudeness and creepiness of Google Glass.

Google's devices push the issue farther, but we're already dealing with the rudeness of attention divided between our company and our device, with the constant interruptions from the cloud, with joggers tuned out to music only they can hear, with people recording images of everything around them then posting it publicly on the Net.

Glass in our future
That's the context that Glass is fitting into today. I also think it's important to consider the context Glass will fit into tomorrow.

Glass today is bulky and awkward compared to ordinary glasses, but it's sleek compared to anything that could have been built a decade earlier. Extrapolate today's trends in miniaturization of processors, networking electronics, cameras, and it's not hard to imagine that many more devices could come with the capabilities that Glass has today.

I'm not saying such a future is inevitable, but it's quite possible that ordinary looking glasses, or perhaps jewelry or clothing or Bluetooth earpieces, could have such technology built into it. Russian dashcams could spread to many more cars and to our homes and offices. Maybe it'll even be in contact lenses or, if Ray Kurzweil is right, nanobots in our brains and bloodstream will intercept our own sensory data, process and store it, then communicate directly with our own neurons. That latter idea is pretty far out, but given how much technology has changed in the last few decades, I'd hesitate to rule it out completely.

The more we rely on devices to keep track of what's going on around us, the more the assumption of asymmetry common in today's Glass criticisms isn't actually the case. It's natural to think about the asymmetry today because almost nobody has Google Glass. But if Glass or something like them spread, the discussion will have to include situations of symmetry, too, like when two people having lunch each have smartphones instead of just one of them.

We could record a lot more with our mobile phones. Perhaps we'll find it useful to record conversations by default to improve our imperfect memories -- the phones themselves or some cloud service they connect to could keep track of whom we met at social occasions and business meetings. Technology could scan our conversations and prompt us later that we'd promised to go to that birthday party or bring snacks for the office, or warn that us a weekend outing won't be possible because a spouse had mentioned earlier that he or she would be out of town on travel.

In other words, maybe other devices will offer much of the creepiness of Glass without the actual Glass itself.

And here's where I think there's a perversely good thing about Google Glass's intrusiveness. They're so overt that they don't leave as much room for ambiguity about what's going on. They broadcast to everybody what's possible.

In other words, wearing Google Glass might make you a jerk -- but at least you're an honest jerk.

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Saturday, March 15, 2014

Why a Comcast merger could be good for TWC customers

Time Warner Cable CEO Rob Marcus thinks the $45.2 billion megamerger with Comcast is a win for Time Warner Cable subscribers.

Speaking at the Deutsche Bank Media, Internet & Telecom Conference in Palm Beach, Fla., earlier this week, Marcus called the deal a "dream combination" that allows the companies to "innovate at a rapid pace."

I know what you're thinking: Of course he likes this deal. His company is getting bought out for $45.2 billion. And Marcus, who is paid in excess of $10 million a year, is the guy who spearheaded this tie-up in the first place. And there's little doubt he will profit handsomely from the acquisition.

But hear me out. He might actually be right.

As a Time Warner Cable customer for more than 15 years, I can attest that the service I've been getting for nearly two decades is nothing to write home about. And the bottom line is that the services that Comcast offers its customers today is simply better than what's available to Time Warner Cable consumers.

"Comcast is more innovative than any other operator when it comes to video service," said Erik Brannon, senior analyst for US Television at IHS. "By contrast Time Warner Cable has been less interested in things like converting analog subscribers to digital subscribers. And the implication is that on the whole their network is not quite as robust as Comcast's."

Even though Comcast hasn't made any promises about when or where Time Warner Cable customers will get Comcast's suite of services, it's clear these offerings will eventually make it to Time Warner Cable territory. And that could be a very good thing for Time Warner customers in spite of concerns that the cable giant is getting even larger.

"Some features and services people can expect relatively quickly after the merger," said Marcien Jenckes, executive vice president of consumer services for Comcast. "Today we're the leaders in terms of broadband speeds, TV content catalog and experience, as well as TV Everywhere. And Time Warner Cable customers can expect all of this over time."

It's hard not to be skeptical
I realize many consumers are skeptical of big mergers such as this one. And this particular merger is as big as they get. Comcast and Time Warner Cable are the No. 1 and No. 2 cable operators in the country. The combined company would control 33 million broadband connections. Together the companies will be in 19 of the 20 largest metro markets in the country. So it's easy to see why people are concerned and even skeptical of a deal that concentrates so much power in the hands of one company.

Comcast headquarters in Philadephia.

(Credit: Comcast)

Add on top of that, the fact that rates on expanded basic cable TV service have increased by more than 20 percent in recent years, it's hard to imagine that a merger of this proportion could be positive for consumers. Don't forget, Philadelphia-based Comcast and New York-based Time Warner Cable consistently rank at the bottom of most customer satisfaction surveys.

What many consumer advocates and lawmakers such as Senator Al Franken (D-Minn.) surmise is that this must mean bad news for consumers.

"I think consumers will end up paying more," Franken said Monday on the "CBS This Morning" show, according to Variety. "There will be less competition; there will be less innovation and, worse, even worse service."

These are indeed legitimate fears. It's difficult to imagine that a merger of this size would actually lead to better customer service and satisfaction. I also am not so bold as to predict that prices might actually go down for former Time Warner Cable customers. In fact, Comcast's own David Cohen has admitted he can't make that assurance either: "We're certainly not promising that customer bills are going to go down or even increase less rapidly."

Still, the reality is that when you really look at Comcast's network and services, and even its pricing, compared to Time Warner Cable's services, an argument can be made that Time Warner Cable customers may have a lot to gain from being converted to Comcast customers.

"For all the complaints about how expensive cable TV is, Comcast has traditionally offered its customers the best bang for the buck in the industry," said Craig Moffett, an equities analyst with MoffettNathanson.

More value for your money, especially in video
When it comes to video service, there's no question that Comcast has a better offering compared with what Time Warner Cable offers today. From its video-on-demand catalog to its TV Everywhere service to a cloud-based user interface it's been developing the past couple of years, Comcast has invested heavily in revamping its TV service, and it shows.

"Comcast has really focused on investing in its network," IHS analyst Brannon said. "Time Warner Cable has been reacting to changes in the market too, but not with the same speed or veracity that Comcast has. And they've suffered as a consequence."

Specifically, Time Warner Cable has been less interested and less willing to spend money to upgrade its network to digital transmission. The result has been that Time Warner Cable offers fewer high-definition on-demand streams and its TV Everywhere product, which allows people to view TV on mobile devices anywhere, has been limited in terms of available programming.

Meanwhile, Comcast offers more video-on-demand content than any other paid TV provider in the country. This includes a library of movies and TV shows that totals more than 50,000 titles that are free or can be rented for a fee.

Additionally, Comcast is the leader in TV Everywhere. Through its Xfinity TV Go app, viewers can watch 35 live TV channels on their tablets or smartphones. This compares with a mere 12 TV Everywhere channels available from Time Warner. Comcast customers also get access to more than 25,000 on-demand shows and videos through the app.

And Comcast is constantly in search of new content to add to its portfolio. It recently announced it has struck deals with Sony Pictures and Lions Gate to start offering "House of Cards" and "Orange Is the New Black" to its lineup of on-demand content. Up until these deals, these two TV series were exclusive to Netflix subscribers.

But Comcast hasn't stopped there. It also has revamped its user interface and program guide based on a new cloud architecture it calls X1. Not only are the program guide and user interface much more interactive, which allows for more personalization, but the X1 platform allows subscribers to access TV shows and movies in new ways.

Comcast's new TV listing guide is powered by its X1 cloud infrastructure.

(Credit: Comcast)

For example, Comcast subscribers can view all live TV and recorded DVR shows on their mobile devices while in the home via the X1 platform. And they can even download recorded content from their DVR on their mobile devices for viewing outside the home. Comcast is testing the service right now in Boston and hopes to have it rolled out to the rest of its territory later this year.

"When we ask people to pay $70 a month, we want to make sure we're delivering a value," Comcast's Jenckes said. "In fact, our job is to deliver the best price value to our subscribers. And we are achieving that in ways that no one else in the industry can match."

Shooting itself in the foot
A lack of technology investment isn't the only reason why Time Warner Cable's service trails behind Comcast's. The company also has a history of contentious negotiations with programmers over digital video rights. As a result, the company has not been able to add as many channels to its TV Everywhere service or as many titles to its VOD service as Comcast. But there have been other consequences as well. A dispute this past summer over retransmission fees with broadcaster CBS led to a weeks-long black-out of CBS programming for Time Warner Cable customers. (CBS is the parent company of CNET.) Some 300,000 Time Warner Cable TV subscribers left over the debacle.

"The general feeling in the industry is that Time Warner Cable has been more resistant in terms of fee increases for content," Brannon said. "This reluctance has put them behind others in terms of their TV Everywhere offering."

Brannon added that companies, such as Comcast, which have been more willing to negotiate terms with content owners, have a broader TV Everywhere portfolio.

"TV Everywhere is an essential feature in all video carriage negotiations these days," he said. "There is an inherent trade-off between features versus cost, but all cable video services are under pressure to get these deals done."

Better broadband
Video isn't the only area in which Time Warner Cable customers can expect to see improvements. Comcast also has been a leader among cable operators in driving higher broadband speeds. It was one of the first cable operators to deploy Docsis 3.0 technology standards, which offer more capacity on broadband networks.

While Google has made a splash over the past year with its 1Gbps high-speed Internet service in Kansas City and is now expanding to additional markets, Comcast was the first cable operator to demonstrate a 1Gbps speed download over a traditional HFC, or hybrid fiber-coaxial, network. And at last year's National Cable and Telecommunications conference, the company showed off a 3Gbps download.

Today, the fastest broadband service Comcast offers widely is 105Mbps, which is about double the speed that Time Warner is offering in most of its market. That said, Time Warner is offering a 100Mbps service in Kansas City, where not-so-coincidentally Google has deployed its 1Gpbs service. Time Warner Cable also will offer 100Mbps service in Austin, Texas, where AT&T and Google have each pledged to build 1Gbps fiber networks.

Of course, some people have questioned why Comcast, which has shown off technology for achieving gigabit-speed broadband, hasn't offered such speeds itself. It's a valid question that I've asked myself. The company claims there isn't enough consumer demand. And indeed at the high prices Comcast and other cable operators are likely to charge for these super high-speed connections, that is likely the case.

But given the fact that Time Warner Cable has never been considered a leader in terms of broadband speeds, it's hard to argue that through its merger with Comcast, the market would be losing a competitive force that is driving the industry toward higher-speed connections.

Rather, I would argue that the telephone companies -- AT&T and Verizon Communications -- and to a much lesser extent, Google, are providing more incentive to all cable operators to increase their network speeds. Comcast actually faces less competition in its markets from Google and the phone companies than Time Warner Cable, and the increased exposure to this threat could spur faster improvement in the network.

"AT&T and Verizon are exerting tremendous pressure on the cable operators," Brannon said. "In many ways their technology is superior to the cable operators'."

A Comcast truck is seen parked at one of its centers on February 13 in Pompano Beach, Fla.

(Credit: Joe Raedle/Getty Images)

If there is a downside to the deal for consumers, it's that one company would have unprecedented control over which cable channels can and can't be seen by millions of Americans, and even whether some independent programmers would be economically viable, Moffett said. This argument comes down to the fact that since Comcast will be controlling so many of the nation's TV subscribers and because it already controls a lot of the cable content via its acquisition of NBC Universal, the company will have much more negotiating power and in some cases control over programmers.

During his interview at the Deutsche Bank conference, Marcus laughed off the idea that a combined company with greater purchasing power would cause programmers to suffer.

"I just find these types of concerns ironic, especially when programming costs in recent years have risen to a level that is greater than what the consumer market will bear," he said.

There are also fears that the merger would lead to a similar level of control over broadband networks, which Moffett pointed out raises its own set of concerns surrounding Net neutrality. Again, the fear is that Comcast will control so much of the nation's broadband infrastructure that it will force content providers to pay fees or threaten to block or intentionally slow traffic. But Moffett said that even these concerns are likely overblown.

"It is the broadband concerns that will likely attract the more visceral reactions," Moffett said. "But truth be told, the rules governing anticompetitive behavior are probably already relatively well suited to prevent anything egregious, including almost any violations of Net neutrality, with or without Net neutrality-specific rules."

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